4 tips on Blue Hour Photography

blue hour landscape

Blue hour photography is often forgotten about by many photographers. After golden hour ends, most pack up their gear and head home for the evening. What they don’t realize is that the best part’s only just beginning!

Blue hour is the perfect time to challenge your photography and get creative in a low light environment. With significantly less light than other times of day, you can capture more moody scenes, practice your long exposure photography, and more.

In this article, I will share four great blue hour photography tips to help you get the most out of this unique time of day. Let’s get started!

Exposure info: ISO 500, 1/160th, f/9, 98mm lens.

#1 – Include a light source in your frame

The challenge with blue hour photography is that there are a lot of shadows. Especially when you’re taking photos of a person, it’s difficult to draw attention to them. What can you do to separate a shadowed figure from an already dark background?

That’s why incorporating a light source into your blue hour photos is so valuable.

This can be any type of light that is shown within your frame. Something like a headlamp, campfire, streetlight, or even car headlights will work. Use whatever is available to illuminate your subject and draw more attention to them.

Exposure info: ISO 100, 20 seconds, f/13, 47mm lens. This is a blend of multiple exposures.

Beyond just illuminating your subject, a headlamp or flashlight can also be an interesting compositional element. By utilizing the rule of light and dark, you quickly draw your viewer’s attention directly to the subject.

Blue hour makes this compositional technique extremely easy to implement since there is already an abundance of shadowy areas in the image. By adding some kind of light, you immediately create an interesting point of reference within the darkness.

The two easiest ways to incorporate a light source in your blue hour images is with a headlamp (flashlight) or campfire. Let’s go over how you can utilize each to improve your blue hour photography.

As the sun sets you can use the last bit of light from the sky as well. Exposure info: ISO 1250, 2 seconds, f/5, 24mm lens. This is a multiple exposure blend.


There are several ways that headlamps can be used to illuminate and draw more attention to your subject. The beauty of a headlamp is that it’s a part of your subject. Since it’s actually on their head, it will draw attention directly towards their face.

When you shine a headlamp towards or at your lens, you can capture a great flaring effect. Depending on your aperture, this lens flare can range from a soft glow (wide aperture like f/2.8 or f/4) to a crisp starburst (small aperture like f/11 or smaller).

Regardless, this flare can add a great effect to your blue hour photos. It gives the light a magical and adventurous feel, especially when used in hiking photography.

Exposure info: ISO 800, 1/640th, f/5, 24mm lens.

The second way you can utilize a headlamp is to shine it against something. For example, you could shine it on the ground in front of your subject or on another nearby surface. Whatever you aim it at, the spotlight will immediately draw the viewer’s eye. Utilize this to your advantage!

The spotlight of a headlamp will create a secondary point of interest. Whether there are unique textures on a cliff face or flowers in a meadow, these added details can add a lot to your image.


Campfires act as an incredible light source for a variety of reasons, but most importantly, for the mood they create. It’s impossible to look at a campfire and not think of relaxation, comfort, and fun.

Exposure info: ISO 1250, 1 second, f/5.6, 24mm lens.

After all, when was the last time you saw a campfire surrounded by grumpy people? I’d argue never.

The advantage of a campfire is that the light is widespread. That makes it easy to illuminate anything around the fire’s edge. Between the fire’s glow and the coolness of blue hour (complementary colors), you capture a beautiful shift in color entirely in-camera.

Campfires are one of the most diverse light sources for blue hour photography. Unlike other options, campfires can double as both the subject or the light source. You can capture a great blue hour photo of just a campfire, or an image with people surrounding the fire.

Best of all, once you finish taking photos, you can chill out by the fire. It’s a win-win situation.

Exposure info: ISO 1600, 1/40th, f/6.3, 24mm lens.

#2 – Experiment with light painting

If you’re looking for a fun blue hour photography idea, then light painting is a must. You don’t need any fancy gear to make it happen, just any flashlight. Even your cell phone’s light will do.

Light painting is done by moving a light source through your frame while using a slow shutter speed. Since the light is continually moving, it will blur into one continuous streak through your photo. Aiming for a shutter speed of five seconds or longer is a great starting point for blue hour light painting.

Read more here: Fun With Light Painting at Home

Blue hour is an incredible time to light paint for two main reasons. The first being that you can easily capture the light trail. The second is that there is still enough available light to see a ton of details in the scene.

The result is light trails that appear to be captured in the middle of the day. The only giveaway is that there may be a few stars you can see in the sky.

Exposure info: ISO 640, 20 seconds, f/4, 27mm lens with a headlamp used to create the light trails.

To get the most out of your light trails, you want to create the illusion that you’re completely invisible. To make sure this happens, you can try a few easy tactics.

Tip #1- Wear black clothes and jacket

Since there is still enough light to see you at blue hour, wearing black becomes extra important. Darker colors will help you blend in with the shadows and draw less attention to yourself. If you don’t do this, you run the risk of seeing your brightly colored T-shirt streaking through the frame.

Tip #2- Don’t stay in one spot for too long 

Along with wearing black, staying in continuous motion helps to render you invisible to the camera. In a nutshell, the more you move, the less time your camera has to capture any light being reflected off your body. As you change positions, you become nothing but an invisible blur in the final picture.

Tip #3- Use a tripod

Exposure info: ISO 160, 20 seconds, f/11, 24mm lens.

Although not completely necessary, using a tripod will make light painting a whole lot easier. Since this technique requires a slow shutter speed, you need to keep your camera perfectly still. A tripod gives you the ability to set up your camera exactly where you want and keep it steady during the exposure.

Read more: Stress-Free Tips for Buying a Camera Tripod

If you didn’t have a tripod, you could carefully lay your camera on the ground or on a large rock. This will allow you to light paint but takes away your ability to choose the perfect composition.

Exposure info: ISO 1000, 15 seconds, f/8, 33mm lens.

#3 – Get into the mountains

Getting into nature is hands down the best place to catch blue hour, especially in the mountains. During blue hour the winds tend to calm, lakes glass over, and soft light is cast across the taller peaks. If you’re lucky, you’ll even experience an effect known as Alpenglow.

Alpenglow is the reflection of light from clouds and other particles in the air. This creates a fantastic reddish or pink glow in the sky and on the surrounding peaks. The vibrance of this glow will change depending on weather conditions, but it’s an incredible sight you don’t want to miss.

Exposure info: ISO 640, 1/160th, f/5.6, 70mm lens.

During blue hour, Alpenglow adds color contrast between the blue surroundings and the vibrant red hue on the mountain peaks. This is an easy way to include another layer of interest to your images.

The mountains are a photographer’s wonderland. As the light changes from golden hour to blue hour, to nighttime, there are endless opportunities for you to do photography. From creative silhouettes, beautiful landscapes, adventurous portraits, and more – the possibilities are endless.

The higher into the alpine you can get, the better. Staying above the tree line will give you more room to capture blue hour while getting the best views possible.

Exposure info: ISO 250, 20 seconds, f/8, 35mm lens.

#4 – Take advantage of long exposures

Long exposures are one key to capturing more professional looking images. After all, who doesn’t love a silky looking waterfall or an image of clouds streaking across the sky?

The trouble is that you may not own any Neutral Density filters making it more challenging to practice long exposure photography. Luckily blue hour can completely solve this problem, without having to buy any more gear.

Blue hour is the perfect balance between the amount of light, and the camera settings you’re able to use. Even though it may look dark to the eye, with a 10-second exposure, the imge suddenly looks much brighter. This presents the perfect opportunity to capture long exposures without the need for any filters.

Exposure info: ISO 100, 0.4 seconds, f/18, 24mm lens.

Waterfalls are a great place to start when first practicing long exposures. You don’t need a crazy slow shutter speed to capture a silky look, and they never change.

You can visit the same waterfall in five years, and there’s a good chance it will still look like it did before. Since there’s not necessarily a perfect moment to take the shot, you can try as many times as you need to get it right.

So use blue hour to your advantage and practice your long exposure photography as much as possible. There’s no better time of day to capture professional-looking long exposures without any extra lens filters.

Exposure info: ISO 250, 6 seconds, f/10, 26mm lens. This is a 4-image panoramic stitched image.


Blue hour is commonly forgotten about by many photographers. After golden hour is over, most people pack up and head home. Little do they know they’re missing the second part of the show.

Being prepared for blue hour is important to capture better images at this time of day. Since there is less light, you need to get creative and think outside the box. Try to practice different techniques to get the most out of your blue hour photography.

The tips outlined in this article are great starting points to help you get the most out of blue hour. With summer finally underway, there will be endless opportunities for you to take full advantage of this.

What things are you looking forward to photographing during blue hour? Let me know in the comments below.


  • Ian

    I found this article extremely interesting and thought provoking. A request to the developers: maybe make a way for readers to save/bookmark/download

    • pawel

      Hey Ian!
      The articles will stay here and we don’t plan on removing.
      We also work on some pdf guide for beginner photogographers.
      Stay tuned!

  • Leave a comment